"Piccinini's works animate the promise and the perils of the runaway scientific developments that pervade our time," Silversmith continues. "Her art embodies our dreams -- dreams of perfect children, of perfect health, of life disease-free, and articulates the value of difference and uncertainty in human life."
Characterized variously as "sow-like," "half-human, half-dog" and "trans-species," Piccinini's silicone creatures are unsettling, even disturbing, to look at, because they blur the boundary between human and animal in such a lifelike way. It is a timely theme, given continual advances in embryonic stem cell research that may eventually enable scientists to grow human organs in the bodies of other species, and vice-versa. Recalling a mythological beast described by the ancient Greeks as part-lion, part-goat and part-dragon, the subjects of such trans-species experimentation have been appropriately dubbed "chimeras."